Oreet Ashery is an interdisciplinary visual artist with an unorthodox, multi-layered and eclectic practice spanning photography, moving image, mass-produced and unique artefacts, text, music, workshops and performance. Ashery’s work confronts ideological, social and gender constructions within the fabric of personal and broader contemporary realities.
Ashery’s recent large scale projects include: Passing Through Metal, a sonic performance commissioned by LPS, Malmo, 2017; web-series Revisiting Genesis, commissioned by Stanley Picker Gallery, Kingston University London, and supported by the Wellcome Trust, 2016; The World is Flooding, a Tate Modern Turbine Hall performance re-enactment of Mayakovsky’s play ‘Mystery Bouffe’, 2014; and Party for Freedom, a moving-image album, concerts and performances commissioned by Artangel, 2013.
Video: Revisiting Genesis - Episode 12: Prayer, Aerialist, 2016
Video: excerpt from Revisiting Genesis - Episode 2, 2016